It has become clearer than ever that the movie year is divided into two parts. There’s the first nine months, which are filled, it seems, with big-audience digital spectacles about men who fly, animated movies about indignant handheld devices and chatty rodents, and all-male comedies about virgins lost in a condom factory. And then there’s the Oscar-focussed final three months of the year, which are devoted to movies about failure, abjection, death, and the Holocaust, most of them starring Kate Winslet or Cate Blanchett.The New Yorker.
Monday, December 22, 2008
David Denby on the seasons of Hollywood: